Litfest

May 27, 2009

Elizabeth Burns shortlisted

Filed under: Sarah Hymas — Tags: , — Sarah Hymas @ 10:37 am

Elizabeth Burns’s pamphlet, The Shortest Days, has been shortlisted for the British Library’s inaugral poetry pamphlet prize.

Those of you who have read Elizabeth’s poetry (some was featured in Watermark, Flax002), will be familiar with her light, incisive voice. Her poems are quiet in tone and yet unwrap aspects of our world, nature, history and relationships, with such force, their images stay as a filter for days after reading, offering me (at least) a reinterpretation of the world.

It is, however, possibly the quietness of her voice that has resulted in previous sidelining of her poetry – in terms of prizes and awards. I cannot understand, how after three collections and four pamphlets she hasn’t had more notice from the wider poetry community – her work has been anthologised in Scottish Poetry collections. She certainly deserves all the recognition this award will give her.

The Shortest Days is primarily a eulogy, a celebration of life and the exploration of absence. It heralds love, tenderness and the expansion of ourselves that comes with those emotions. It is porcelain of poetry.

If you would like a copy of this pamphlet, email us and we’ll forward your request to Elizabeth.

May 21, 2009

poetry on tv

Filed under: Sarah Hymas — Tags: , — Sarah Hymas @ 1:39 pm

If you were having a great night with the SixPoets last night then you’ll definately want to watch again the brilliant programme Griff Rhys Jones hosted on Why Poetry Matters

And if you weren’t there, and aren’t a passionate reader of poetry, I’d recommend it for its enthusiastic, straightforward exploration of the range and value of poetry. And for the soundtrack – The Stranglers, The Smiths?

Oh, yes, poetry is such a broad church the sky’s its roof

May 20, 2009

Tom Fletcher gets a two book deal

Filed under: Sarah Hymas — Tags: , — Sarah Hymas @ 4:05 pm

Tom Fletcher whose short stories appeared in Before the Rain, Flax006 has just signed a two book deal with Quercus. So we’re very excited for him.

Apparently The Leaping shares some of the same characters with The Skin that She Bit (published in Before the Rain). Werewolves. The action happens between a call centre and the Lakes (two locations he uses to great effect with in some of the short stories). Judging on the stories we published last year, I guess it’s going to be strangely compulsive, a little bit sexy and very very tense.

We’ll keep you up to speed when we hear more.

Programme Update

Filed under: Andy Darby — Tags: , , , — Andy Darby @ 10:49 am

Mai Cheng has had to cancel his trip to the Uk and will be unable to come and share his work. It’s always disappointing when this happens, but I’m very pleased to announce that the The Long Walk Chinese Ensemble will take part in the event setting the scene for what I’m sure will be a fascinating evening.

The Long Walk ensemble arose as part of More Music’s musical response to the Morecambe Bay cockling tragedy of 2004.

Working in partnership with Lancaster and Morecambe Bay Chinese Community Association, More Music raised funding to purchase a set of traditional Chinese instruments from Beijing, and then to train a group of local musicians to play them. The Chinese Ensemble now meets weekly to play traditional Chinese music, and has also started weekly sessions to teach local Chinese children to play traditional Chinese instruments.

The Ensemble features:

Diane Mott – Erhu (2 string violin) and Zhong Ruan (moon guitar)
James Wood – Liuqin (small lute) and Zhong Ruan (moon guitar)
Phil Keen – Erhu (2 string violin)
Catherine Goss – Dizi (flute), Guzheng (harp)
Rick Middleton – Pipa (lute) and Da Ruan (bass moon guitar)

A big thanks to Ben McCabe for making arrangements for the ensemble to be part of the event.

May 14, 2009

Flax Picnic

This photo is an indication of how well the Flax picnic went (despite siling rain) – last Saturday – one take and all twelve faces are smiling, looking at the camera and appear reasonable, rational human beings!

We had a lovely afternoon listening to the brilliant range and quality of work from Flax writers. Nearly all the publications were represented by writers (including the forthcoming poetry anthology, due out in June).

It was an event to make me proud of the writers we’ve published, and underlines our attempt to support and trumpet the writers we work with. And this is returned by the strength of the relationships with the writers.

So, from top down (and left to right as we go): Ian Seed, Mark Carson, Gill Nicholson, Brindley Hallam Dennis, Elizabeth Burns, Polly Atkin, Marita Over, John Siddique, Andrew Michael Hurley, Pauline Keith, Jennifer Copley and David Borrott.

Would also like to thanks Andrew Forster from the Wordsworth Trust for all his help in making the day as dry and jolly as possible. Good to have an opportunity for reflection and self-congratulation!

May 8, 2009

Variety and Diversity in Readings

Filed under: Sarah Hymas — Tags: , , , , — Sarah Hymas @ 11:45 am

I went to the Wordsworth Trust poetry reading last Tuesday night, with CK Stead and Katharine Kilalea. I know I like programming and anthologising with diversity and variety, but this event excelled itself.

CK Stead is a veteran of the poetry world, with a new collected works that was as hefty as War and Peace, while Katharine is celebrating her first volume, One Eye’d Leigh. And this distance travelled was evident in their choice of poems to reading and delivery of them.

Katharine’s talent is in the sweep of her images, which in a reading did at time overwhelm – I just couldn’t keep up. But I could hear, that reading in my own time, these images would stretch me between the two continents of Europe and Africa that obviously preoccupy her. She is clearly a poet at the start of a long career – perhaps too eager at times to present all her wares all at once.

Carl is, obviously, further down that track. His poems were tightly wrought reflections of (mainly) his ‘non-belief’ in religion and fascination with philosophy and philosophers. His delivery was calm, interspersed with thoughts on what he had written and possible reasons why. But what impressed most was his fearlessness – reading rewrites of psalms and ironic odes to God – in a church. He said he hadn’t realised where we’d be when making his selection, but the location added another dimension, a resonance of belief and counterbelief to the work.

These poets at ends of the spectrum illuminated each other’s work in a way I relished. We do not read (or write) in isolation, and such programming exemplifies the literary  cannon.

With two Litfest events and a Spotlight coming up this week, I’d interested to hear what our audience make of the programming of these.

May 1, 2009

The new Poet Laureate

Filed under: Sarah Hymas — Tags: , , — Sarah Hymas @ 2:23 pm

So, hooray, the odds on favourite Carol Ann Duffy is the new Poet Laureate. I’m hoping she’ll bring more changes to the role, as Andrew Motion did in his ten years.

In an interview she gave, it sounds hopeful.

She has already relinquished herself from writing to order at every royal occasion, saying if it doesn’t inspire, she’s not going to write it. But what I particularly responded to was her saying she saw the award being a recognition of the calibre of women poets in the country.

Because of course the big news is that she’s Britain’s first women poet, although invariably not far behind (usually in brackets) is that she’s a lesbian. I like how’s she’s taken this label and stretched it to to fit the wider poetry community. Woman poet, gay poet, Scottish poet, North West Poet, nature poet, over sixty poet – could all be one person. Reductionism doesn’t suit poetry (despite its brevity!).

She says she doesn’t consider herself a lesbian poet, and certainly her poetry doesn’t focus on just sex. In fact her subjects range widely, and this is why, regardless of the political gesture, she has the potential to make such a good laureate, turning her hand to a range of voices, not being afraid to stick her neck out, and already with a huge readership.

Already she has given the annual stipend (of £5000ish) towards a new poetry prize for best first collection – the point at which poets need a boost, a stepping stone to the next stage of their career. An indication of her being the poet’s poet laureate

Let’s hope she puts her imagination to the post and comes up with some entertaining and lasting ways of highlighting poetry to people who are not yet readers.

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